“So where does taste live? Guernica’s contributors find it emerges in the in-between—along the spectrum of emotion and intellect, that nebulous space between love and what we think we love, primal pleasure and learned appreciation, gut revulsion and reasoned dismissal. Consciously or not (and now more than ever) taste is a performance, a projection of our selves into the world—or a set of actions, symbols, and vocabularies by which we assess others. Whether on Pinterest or at a farmers’ market, through celebrity-endorsed sneakers or lit-mag tote bags, taste is reified by the image it makes.
But more urgently, taste is a potent organizing principal, our insidious means to decide who we’re with and who we’re against, who belongs and who doesn’t—and further, to cloak political and structural boundaries under the softening light of subjectivity. Taste, as many of the pieces in this issue insist, does not live autonomously, superficially, within each of us. Instead, it emanates outward—a tool of the powerful, wielded to regulate our differences.
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Guernica, “The Boundaries of Taste”
